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Ilsa, now a vicious warden, runs a mental-hospital for young women. A girl deliberately “checks” in to the hospital to find out what has happened to her sister who stayed there. Meanwhile Ilsa and one of the guards are forcing the inmates to have sex with male prisoners, filming them and selling it as pornoflicks.

The first Franco/Erwin Dietrich effort is probably Franco’s most exploitive film with numerous sadistic scenes of torture and perversion. A true exploitation masterpiece that only a director like Franco could make. Maria (Lina Romay) is sentenced to prison for life for killing her father that attempted to rape. She is sent to a special section of the jail know for it’s cruel and sadistic treatment of prisoners. The wardress (Monica Swinn) is a sadistic lesbian who knows no mercy and takes pleasure in her job. Maria seduces a male nurse who she eventually kills in order to spring an escape from the hellhole. A must for all fans of sadistic WIP films and for Jess Franco addicts. Also stars Franco regulars Paul Muller, Martine Stedilm and Eric Falk.

A deaf and dumb accountant suffers from a psychic trauma in his childhood. He is collecting puppets and mutilates female bodies in the mortuary. After his secret love died by an accident he starts to kill.

A French grad student named Celine (Julie Delpy) meets an American boy named Jesse (Ethan Hawke) on the Budapest-Vienna train. They get off the train in Vienna and hang out for a while.

When an experienced thief accidentally makes off with a Van Gogh, his partner is kidnapped by gangsters in pursuit of the painting, forcing the criminal to hatch a rescue plan.

Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers’ union has assigned organizer Sam Shapiro to bring its “justice for janitors” campaign to the building. Sam finds Maya a willing listener, she’s also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.